#tell me she's not. go ahead

[wispisstillverybored67]

I love how, since Cube's route is battle-less, his "battle theme" against OD-10, herself considered one of the most unnerving foes in the game, has an equally creepy track (Unseen Syndrome) to set the match.

[nonranghaes]

joshua thinks he loves you too much. that's why he's strolling up to this house 'late' for this christmas party, dressed up in a suit (rather than waiting for you in cozy sweats like you promised), and a bottle of wine he stole from jeonghan's apartment on the way over. this, in his humble opinion, is what a best friend is for: pretending to be your date when you see your ex with someone new at a christmas party you didn't know he'd be at. it's easy enough to find you socializing with this tight-lipped smile that melts into something genuine when you see him. he passes off the bottle of wine to the host and makes a beeline for you. you're a vision in blue and it's all too easy to look at you like you outshine everyone else in the room.

"hi, honey," he says, pressing a chaste kiss against your cheek. he lowers his voice to a whisper, "you owe me."

"i know." but you curl an arm around him all too easily, pulling him into your side as you immediately start introducing him and coming up with some casual lie as to why he's late.

the moment the two of you have a second to yourself, he leans in, pretending that all he's doing is stealing another little kiss and not also whispering to you. "where is he?"

"tall guy in the green sweater across the room. his new fiance looks like a candy cane."

joshua glances over, eyes widening a little at the red and white stripes that seem to jump out at him now. it's cute, sure, but still catches him off guard in a 'how did i miss them...?' kind of way. he turns back to you, and suddenly the word hits him harder. "fiance?!"

joshua remembers this guy too well: mister 'i don't think i'll ever get married again,' which wasn't a problem in the slightest in general, but it was one of the multiple reasons you ended up ending things with him. you just give him this tight-lipped smile, a hand coming to rest on his chest for a moment. you know. he can see the way you waver a little in front of him.

"fifteen minutes," he says to you. "and then we'll fake an emergency."

your hand slips into his, and he feels the way your lips press against his cheek and linger a few seconds too long. long enough to make him think a little too much about what it could mean. "thank you, honey. i owe you."

(his payment comes in the form of watching horror movies with him, dressed in your sweats again... and again when he feels you fall asleep against his shoulder, his heart fluttering in his chest.)

[tongues--and--teeth]

Post-War Golden Cheese and Dark Cacao my beloveds <3

[littlebigmouse]

Something about AU Vander telling AU Powder she's "too smart to spend her life in a bar" vs telling AU Ekko (as far as he knows, anyway) that he thinks he'd be "running this place soon" makes the latter almost seem like an insult.

[alexjcrowley]

Rip most frenemies from F1 you would have loved the Andrea-Emily relationship from The Devil wears Prada

[schmweed]

[littleguyzdaily]

Little guy number 95: miku miku oo wee oo

MIKU SHRINEEE

Happy pride month

[gemini-queen42]

I need to fix expressions / push the poses more and obvi refinement for clarity BUT-

Meet the sketch wip that is overtaking my mind instead of me just putting the Last Damn Details on Eve's ref♡

[kaylazer]

back on my bullshit (meeting men im in love with). Ben Schwartz is so kind and tall :-) I didn’t totally freeze like when I met the Jonas brothers but the selfies we took are blurry so 😔

(at least I have these bc I told sam to record the whole thing heheheh)

[asofterepilogue]

I apologise for the person I'll become when "would you fall in love with me again" is released

[waywardsalt]

with my phantom hourglass replay, there are two things i noticed;

a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.

linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.

[abimee]

hey I just wanted to say that b&g is one of my favorite pieces of undertale art in general. I'm muslim and the way you depict toriel reminds me of my own mother and other older muslim women that I meet a lot. It's very comforting. I don't see a lot of depictions of middleaged muslim women with dignity and respect that often. Of course, I love everything about your au and how you write all the characters, but toriel specifically really hits home for me

aww im really happy to hear that anon thank you :,,---( i remember Toriel originally wasnt supposed to be that big in my B&G world but with other characters getting their own time to shine (Kris and Susie about being teenagers trying to handle their struggles on their own, Undyne in being in her 20s but stuck in the past, etc) Toriel started developing in my mind, and her story is sort of an amalgam of all sorts of mothers and women ive met through babysitting and my own mother (though my mom isnt muslim as im a convert, so its all in just personality) so hearing someone else sees a little of their own mother in her warms me heart :,---] ty again

[totheidiot]

all i can think about is that i am going as L for halloween. I AM GOING AS L FOR HALLOWEEN EEE.

[sisterdivinium]

Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.

Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.

Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.

And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.

An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.

Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.

The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".

Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.

But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.

Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.

However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.

What's more is that this lurking "optimism" matches really well with our own protagonist's personality.

And it makes perfect sense that Ava would do the best she could with whatever she is given.

Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.

Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.

Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?

True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.

And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.

Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.

Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.

It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.

[nostalgia-tblr]

loki/william rufus fic, where bill explains that as the second son he has inherited england while big brother bob only got the duchy of normandy, ha ha ha.

[icarusredwings]

This is getting out of hand fr.

Hate to tell you guys, but NEWS FLASH going on random people's posts and telling them they're bad for enjoying a movie (in which you have NO proof they even paid for to see)

But you should because piracy is bad 😃 😉😉

Is NOT the way to get people to support your cause. Can't believe I have to say this, but you can enjoy content without supporting the producers. I thought we had this talk already about musicians? It applies to movies, too.

Anyway- I will gladly make my block list as long as a walgreens receipt (they already blocked me) especially if you're telling people they're bad for seeing a movie (for free)

And enjoying the movie. Nothing this person said had anything to do with Disney, just the deadpool movie and how it must be confusing for Wolverine to suddenly have a home. I could understand if they were trying to get people to subscribe to disney plus or something, but no. Nothing was said about disney. In fact, the only non deadpool related tag was "Marvel mcu," which is something the deadpool franchise is a part of.

I support Palestine, and I always have. I've posted about boycotting Disney before. This is not new. No, I do not share fundraisers very often unless they are clearly marked as vetted and real because of how many scams there are. If you put a go fund me in my asks, you better have proof it's real/vetted, or I will not repost it. I would feel personally responsible if one of my mutuals got their life ruined by a scam. I also do not repost mass copy and paste messages either UNLESS vetted w/ proof.

Tags.